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Ask Me Again, I’ll tell you the same

From our 9/28/08 show at Keegan Ales in Kingston NY, it’s the first of 3 clips I’ve gotten up on YouTube. This is “Ask Me Again”, a relatively new tune (last 6 months). It crosses the line between rock and jazz in what is to me a very appealing way; the backbeat is strong, even with the many time signature changes, and the harmony is all “post-bop”. In my mind it walks the line between Joe Zawinul and Alan Holdsworth, showing what those two giants have in common. Steller performances from Charlie & Nadav make this a standout. We also had fun hooking up the s-video output of the laptop into the bar’s projector, and viola! Instant light show.

Thanks for watching. I will post some “serious” stuff soon, for real. Lots going on, the big thing of which was spending a month looking for a car (which we found, yesterday). Enjoy, and thanks!

httpv://www.youtube.com/watch?v=4tHi_RHoW8M

My Musical Life. Reinvented.

So.

Here we are, June 2008 – almost July… that sweet sweet summer air. Wearing shorts – every day. And working – always working. And even a bit – though just a little here and there – of relaxing.

It’s been 2 years and 3 months since I made the conscious choice to rework, to take control of – to reinvent my life. It’s still (and I suspect it will continue to be) a work-in-progress. That’s a good thing. It enables me to roll with changes and adapt to different ways of working, different mindsets. The work situation has really come around (after an abysmal winter/early spring). I have students again, after a long time without; commissions from Choreographers; some session work, lots of acoustic jazz gigs – and of course the main event, Neil Alexander & NAIL. Too few gigs for my taste this summer. All the other work is definitely awesome. But I know how great the band can be. Our gig Thursday at Cafe Mozart in Mamaroneck was nothing short of pure magick for me.

I have been applying myself towards the band’s marketing; trying to come up with a significant tag line and one sentence description that really resonates with me. It continues to elude me for now… but I am spiraling in, I can feel it. Synchronistic events are building around me, around my intention. As is said. where your put your attention, energy follows. I am putting 150% percent into the band, and the energy certainly comes back at least as far as our shows are concerned. I have also been working on my open mindedness; letting go of fear on the bandstand Obviously, I don’t want to “suck”, but for real magic to happen there needs to be a certain level of spontaneity. You can’t rehearse that, but you can be in the right frame of mind. I have a huge sonic arsenal at my disposal, samples, multiple synths, etc. I found I was actually afraid to use them, sticking to my few “primary sounds”. I think this is in part to being nervous about the band – having to cue them, making sure we’re at the same place in the music, the “right” feel (this can change – thats the spontaneity I was referring to), etc. I guess it’s also about me being comfortable on stage, letting my imagination go. BUT NOW – the band is so together, so on the same page. Nadav Zelniker and Charlie Kniceley – the magick really happens with these cats, to an extraordinary degree. I find myself and the group in that ever-so-exciting uncharted territory, where anything can happen musically. It’s a place I think most musicians dream about. I know I sure have. Point is, I was so comfortable on Thursday night I found myself using sounds and samples I hadn’t used in months. And playing things differently – old tunes taking on completely new life, in the most wonderful way. I was ecstatic. The audience could feel it too. We were on fire – breaking new ground, forging and working our truly original sound.

I should mention that for me personally, there are other factors at play. Making a continuous conscious choice to be positive. Staying in the moment (day to day, all the time). And learning finally to believe in myself, in whatever project I’m involved in. It’s really starting to add up.

Another factor is a book I just read. I can’t stress the personal significance of this book for me. It’s not that it’s “so great” (it actually is, but….), but it helped me reconnect with a part of myself that I had all but forgotten. I actually did forget, for many years. When I remembered, I think I only remembered what happened – not how I felt. This book brought me back and helped me reconnect with how I felt at a specific time in my life – a time of infinite possibility and connection.

And then a remarkable event took place in my mind – I was able to connect a lot of dots, of lot of disparate elements of my life, taking a great step towards a cohesive whole. I’d done it with music. Now it’s time to hook up the rest of my experiences. This completeness, along with a new-found level of musical trust and openess, is why I think we excelled on Thursday. It was so happening, I find myself relaxing – even though we don’t have that many shows, I’m less worried. It’s an awesome feeling.

As for the aforementioned book, I’m going to save it’s description, as well as it’s significance for me, for another post… Trust me, I’ll get to it.

For now, a new slogan has emerged: THIS BAND BLOWS MINDS. (A takeoff on Woody Guthrie’s “this machine kills fascists” sticker on his guitar.)

Ok World – NAIL is here.

I love you all – be well!

Spring is here…

“Spring is here….” so the song goes. “Why is my heart not filled with gladness?” Well, in fact it is. I know it’s in there somewhere. Trying to stay on the positive sometimes seems more difficult than it feels like it should be. Truth is, with gas prices, a lack of work in the early part of this year (leading to a sort of financial “crisis” for me and my fam) and the molasses-like  progress of NAIL, it’s been rather hard to stay upbeat. A challenge, to say the least. I find the “patience” thing to be a big part of it. But – it is a MOST beautiful spring day. I will be going outside today (even though I have more than enough work to keep me in the studio for days on end) to enjoy a little self enforced downtime.

In reality, things are still moving. I just picked up a gig for the “Art Along The Hudson” kickoff event. This 2 hour party takes place at DIA Beacon, one the most fantastic modern art museums on the east coast (and just across the river from me). It’s like performing at MOMA, a coveted gig under any circumstances. I had to do some serious wrangling of schedules tomake it happen – but I was successful. Special thannks to our good friend Kippy Boyle, who put the right word in the right ear at the right time…..!

Also, our very good friend George Dubose, one of the great NYC Rock ‘n Roll photographers, just shot a whole new series of press pics for NAIL (and a few solo shots, too). So even though I don’t have the time or the money to really do NAIL’s press the right way, it still goes forward.

I had to push myself into writing today; it’s been too long. I am going to stop here, however. as I have no intention of spending all day at this computer I would advise you all to take similar action: go outside. Get some fresh air. Take 5.

You dig?

Love ya all –

NAIL

One of George Dubose\'s new pictures.

Found: An unpublished Blog Entry from ’07

I found this in a word doc tucked away in a folder on the laptop. I was going to just delete it, but I decided it was worth posting. It’s from last summer, which was a very busy time for me. So without any further ado, here it is, dated 8/10/07

Here I am, on the road again, out with Marty Balin. He’s one of the founders of the Jefferson Airplane (and later the Starship).It’s an honor to play with him, and he’s a really nice guy too. We’re only doing 4 dates on this particular run. That’s ok, because July was an incredibly busy month (that bled into the 1st 2 weeks of august). Last Tuesday (Aug 7th) I premiered Five Elements, a new group based on an idea I had a few years back. The idea was to use a wide variety of percussion – Afirican, Latin, Brazilian – but no actual drumset. The show featured Percussionists Amarildo Costa (Brazilian), Kazi Oliver (African), as well as jazz vocalist and flutist Judi Silvano and myself on a rather big rig (5 keyboards). Judi was kind enough to record it, so I’ve posted an excerpt from the show HERE. Other stuff I’ve been doing: 3 weeks of Ballet Class work at Kaatsbaan International Dance Center (in Tivoli, NY); The Susan’s Restaurant Jazz Jam Session (hosted by drummer extraodinare Bob Meyer); Robert Kopec’s “Big Bang Jazz Gang”, a big band playing Mingus, Monk, Coltrane, Dizzy and more; MBA, an experimental electronic free jazz project (website going up soon!); a few gigs with Judi Slivano’s jazz Quartet; Gigs with the Scott Weis Band (a great local soul-blues band); Marvin Bu-ga-lu Smith trio; the Neil Alexander Trio (acoustic jazz!) As well as a handful of solo Shows and of Course many NAIL gigs. I’ve got some down time coming (no day or night gigs till sat 8/18). Time to recharge the batteries, slow down a little.
The cool thing about all this is since I’ve left the Machine, I’ve more varied and interesting – and paid – work then I ever have in my life. I’m playing every kind of music imaginable (except country, bluegrass, and a few other things I ain’t interested in). And the sky’s the limit. Playing with Bob Meyer, I getting to meet and play with some of the greatest jazz musicians in the area (and the NY area is nothing to scoff at). I’m getting to the place I have oft dreamt about. The challenges come, and will continue to come; I will continue to work hard and to give my best to the music which I hold so dear.
I love you all, stay in touch.